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(Aug., 2002)
"Sympathy for the Devil, part one." Cover
art: Michael Ryan. Script:
Mike Grell. Art: Ivan Reis/Joe Pimental.
The ish opens up with Tony Stark walking down a street with...Rumiko
Fujikawa(??) pondering his decision to reveal to
the world that he is Iron Man.
(Cool touch on the opening splash page with Tony and Ru at one of the many
makeshift memorials at the old WTC site.)
Elsewhere, the space shuttle Columbia is delivering a "Viastone"
satellite (a company owned by Ty
Stone...uh oh) and there's a problem -- the sat's
engines kick in and fry the astronauts working on fixing its position! Suddenly,
the satellite is heading directly for the North American landmass! Back on the
street, Ru hands Tony stock papers -- a 2% interest in Stark Industries!
Thus, Tony now holds controlling interest in his old company once again!!
Back to the
descending satellite: an F-15 fails to stop the sat's fall, but guess who pops
up to save the day? Yep, 'ol Shellhead. What
a surprise. As IM
returns home, Rumiko is waiting in a hot bath...but Tony has to recharge his
heart. As he returns, however, it is not Ru in the bath, but....Pepper??
It's fairly obvious Ty Stone's
grubby hands are involved in this mess somehow -- with DreamVision
-- especially after glimpsing that last panel with Tony's eyes "glazed
over." And why is it so obviously painful for Tony to recharge his heart?
He has to, in essence, "bite a bullet" to take the pain? Makes no
sense. The guest art team is superb -- Reis' work on the Avengers
was sweet, and he has a Jimmy Cheung-esque feel to him that Pimental's inks mold
into very appealing images.
Hube's Recommendation:  
repulsors!
Fan Reaction 1:
I checked out your review of IM #55 and #56. I think you were absolutely
right with both - although I don't know that I'd give IM #56 the third repulsor.
I'm not sure about Tony's eyes being glazed over - that might just be artistic
license. I do think that Stone's handywork is all over this story - check
out the letters page - "Live the dream again in 30!" ?!?! WTF!?!?!
I also agree that Tony revealing his secret identity in #55 sucked, but I was
hoping it'd be part of some intricate, well-thought out plan.......so I held out
hope for #56. But OMG - what a flaming piece of crap!!! Tony's glad
he doesn't have to run and change into Iron Man in order to stop a mugging????
HUH????? Since when did Tony Stark need to become Iron Man for a mugging?
We know that Tony trained with Captain America - tell me he couldn't make a
media issue of that, and justify it as not wanting to rely on Iron Man too much?
No, Grell's right, it's a lot better to have a whiny Stark lament how he was
burdened by his secret identity. And can someone please explain the logic
of revealing his ID and having his friends and family be safer??? Remember
a guy named Obadiah Stane? He systematically destroyed Tony's life by
using Tony's weaknesses against Iron Man.
The culmination of this was
grabbing those close to IM. I understand that the bad guys will (these
days) do whatever it takes to acheive their goals - it's a point well worth
remembering for us all. But wouldn't that make Tony's friends even BIGGER
targets? Wouldn't guys like Spymaster and Ghost want to kill Bethany Cabe
or Jim Rhodes or Bambi Arbogast just to make a statement? But then, Tony
feels better so I guess that justifies this boneheaded writing. I also
can't see Rumiko suddenly embracing Tony again instantly - if at all. That
makes me think this is all a delusion - but then again, in an upcoming issue of
Avengers, Tony's ID is known and mentioned. Lastly - one thing that made
Ultimates interesting was that their Tony has no secret ID. I liked that
it was different than the regular book. Now it's not so different and I
feel like I've been cheated out of a fresh interpretation of Tony Stark.
Looks like Grell has taken the great hope I had for him based on his early Sable
work and crushed it under a poorly conceived and plotted Iron Man......pity. --
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Fan Reaction 2:
I am a bit befuddled. I liked the art, I liked the overall plot (both the
story and the layout), but there are so many fundamental things wrong/missing.
1 – The secret-identity
backlash is not nearly what it should be (as I’d mentioned in a previous issue
response).
2 – The re-involvement with
Rumiko is too difficult to consider. She’s proven quite clearly that she
is considerably beyond nuts, and I don’t believe that Tony Stark is one who
would forgive a woman sleeping with another man merely to hurt him – not to
the point of taking her back, anyhow.
3 – The entire
heart-recharge/Pepper flashback thing. A revisit of Ty Stone isn’t so
bad, but DreamVision still being a sub-plot? It was okay as a minor plot,
but not a continuous one, as there is no ‘true’ way that IM would be
involved. Besides, wasn’t the VOR/TEX virtual Iron Man story enough?
4 – And you are right-on about
the ‘bite the bullet’ aspect of the recharge process. Tony Stark
cannot come up with a method of recharging the technology for which he himself
was responsible for creating?
Other points: He just got
his ass handed to him by Son-o-Mandy, yet it doesn’t seem to concern him in
the least. We have seen absolutely no development whatsoever of Stark
Enterprises (or Industries, or International). Pepper just lost what was
more than likely Tony’s baby, yet she gets 1 page in the book and seems not in
the least distraught. Pepper point #2: She just potentially lost
Tony’s baby, and Rumiko is very obviously back in the picture and right under
Pepper’s nose? When was the last time Mike Grell had relationship
problems? OY! As an overall book, #56 was excellently done. If
one scratches under the surface, however, the inside seems hollow. --
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